Showing posts with label live reviews. Show all posts

Ignore All Detour Signs Encore Screening Review @ Sinema 14/10/11

Having missed the first screening of Ignore All Detour Signs back in September, I was eager to jump on the opportunity of the second screening at Sinema located at Mt. Sophia. Having not bought the tickets earlier, I was pretty upset that I would have climbed 666 steps for nothing, but the dudes at Sinema were cool enough to let go two tickets for me and my friend.


Before I let you in on my impression on the documentary, here's a little synopsis for those who don't know what it is about. Ignore All Detour Signs(IADS) is a documentary that covers the trials and tribulations of Singapore band, I Am David Sparkle, as they prepare for their slot at South by Southwest (SXSW) Festival along with a minitour of the US.








Initially, to be perfectly honest, I thought that the documentary was going to be a bore and something really artsy fartsy. Yet, I was proven wrong as it was actually tastefully edited and never strayed away from the main subject matter of the whole documentary while still maintaining a certain dark and gloomy vibe overall. IADS manages to capture and display a band's dream and their courage to do anything to get themselves a place on the world stage. It also displays the friendship between the members even through the hardships they've faced just to play their music to more people. The soundtrack was also peppered with fellow labelmate, Amberhaze, so that makes another reason to catch IADS.

I am not so much of a movie reviewer so for anyone who needs a quick jolt of motivation and for any aspiring musicians (and I really mean ANY) out there, IADS is the documentary to catch. Just hope there's another screening in the near future.

Puresinner has reviewed I Am David Sparkle's sophomore album, Swords, click here to read it. We would also like to wish I Am David Sparkle an awesome Japan tour next month.

aenimic: This post was supposed to be up on the night of the second screening, but photobucket is being a real bitch. so I'm sorry for the late post. Whatever it is, do catch IADS if you ever get the chance. Sorry for no photos from the screening other than that one photo on my instagram. Here is also a ten minute snippet of the QnA session after the screening, youtube "Ignore All Detour Signs" to get the full QnA session.

Singapore's Best Alternative Halloween Party


Sick of "Thriller" themed parties and Haunted Carnivals? Well, I've got just the right answer for you. Head on over to the Singapore Dark Alternative Movement's most anticipated event of the year. SDAM is known for their year round of Industrial and Goth club shows but Halloween is when they raise the dead with the heart pounding beats of dark Alternative music.

This year, they're back at HYDE (57B Clarke Quay) for some horrifying classics. In conjunction with the Breast Cancer Awareness month, feast your eyes with Kittenita (as "Skinless Julia" of Hallraiser) as she performs the Bellydance Horror like no other. Classic horror films compiled by Rocky Raccoon will be played throughout the whole event and veteran DJ Saito Nagasaki will keep you company with the familiar beats of EBM/Industrial/Futurepop spins.


As a treat for all you darklings, the first 30 guests will receive a decapitated gingerbread man and the first 10 guests will receive a free Halloween make-over by the professional make-up artist, Aries Yagami. So be sure to come dressed as terrifying as you can get cause things are going to get real ugly at HYDE.


HYDE BAR (3rd Floor)
57B Clarke Quay
Singapore 049846
+(65) 6532 5510
http://www.hyde-bar.com/
https://www.facebook.com/group.php?gid=56294831231

Singapore Dark Alternative Movement (SDAM)
http://www.sdam.sg/
https://www.facebook.com/groups/5512868844/

The Aggregate Requiem


The Singapore Dark Alternative Movement presents their first benefit gig for the Sophie Lancaster Foundation. A charity to stamp out prejudice, hate and intolerance everywhere against subcultures.

Presale tickets are now sold at Inokii at Far East Plaza (Scotts Road) at $10.






For more information on the charity, visit The Sophie Lancaster Foundation at htp://www.sophielancasterfoundat​ion.com

Time: 5-10pm
Place: Se7en1nch (Clarke Quay near Zirch and facing the taxi stand)
Price: $15 (incl. 1 free drink)
Acts: D.E.A.D, Bear Culture, Murderfreak vs Ænimic, Savvia Lenore and a very special guest appearance as the opening act

Of Fire and Spirals: Big Day Out Perth 2011

Prelude

Touching down in Perth at about 40 mins to midnight on February 4 with a bad sinus irritation and Skylar, I wasn't really in the best shape for a day out in the sun and sweat. But for the sake of catching several top tier bands perform at a music festival for the first time, I just had to push on and consume as much paracetamol as possible.

 Amanda "fucking" Palmer's secret Perth show

 Enough about how I felt, the trip to Perth was a very fruitful one as Amanda Palmer sneaked a ninja gig the night before BDO, Adam Jones crashed into my goth shopping trip with Skylar and I get to catch 2 bands that I really love in a single day.


I'll start with the Amanda Palmer secret show at Perth's Cultural Center. Freezing my balls, ass and everything for an hour before she arrived to the little man-made pond with 4 additional members. "Are you guys waiting for Amanda Palmer too?" she asked the hopeful fans sitting around the show area before she made her way down to the "stage".

I am not really a Dresden Dolls fan, let alone listened to any Amanda Palmer music, but I have to say she really does put in alot of effort to entertain the fans even if it's an unpaid show. Based on that night, she's a true performer with overflowing charisma that I could ever dream to have. Armed with just a ukelele and a few percussive instruments, she made an otherwise empty setting into a lively area of performance and music.

We managed to capture some photos and a video of her performance that night, though the quality soundwise might be a little low due to the unorthodox location of the performance (right beside the Fringe World stage, that had a myriad of bands and performers doing their own thing).

At the end of the whole performance, Amanda invited everyone to purchase her latest EP which costs only 69c off of her website and to take a few photos with her and her friends but as for me, I was already rushing back to the confines of my bunking. Reason being, the night was too cold and I had little to warm myself with. Makes me wonder how Amanda was able to keep going with just a bustier and bra on. Respect!

 Big Day Out Perth 2011
Right: Orange Stage, Left: Blue Stage
Waking up feeling less than ready for a day of frolicking around and headbanging to my favourite bands, we reached Claremont Showgrounds at about 12.40pm, the place was filled with music and people. Given a free energy drink that tasted nothing like an energy drink, we moved into the Blue and Orange stage areas in search of the Merch stand.

The merch stand had a variety of hoodies, t-shirts, caps from most of the bands that were performing that day. Prices ranged around AUS$80 - $30. Got myself a Tool t-shirt and off we went to catch the band that was performing at the Orange Stage.

Dead Letter Circus 12.30-1.20pm (Orange Stage)
Dead Letter Circus, an alternative rock band hailing from Brisbane, was performing on stage. Eventhough we've never heard of their music before, the guitar riffs and crashing of the drums was enough to take more than a little glance at the band. Band's main vocalist, Kim Benzie reminds me alot of Richard Patrick (Filter) by way of body structure. High-pitched wailing with cleverly constructed musical parts and a really tight live set up, Dead Letter Circus is definitely a band to check out if you're looking for new poison for your eardrums.

Click here to listen to Dead Letter Circus.

Airbourne 1.20-2.10pm (Blue Stage)

Taking the Blue Stage right after Dead Letter Circus, Airbourne wastes little to introduction and jumps straight to their anthemic rock music to pull in the crowd. Not letting such an opportunity of catching one of the most electrifying rock n' roll bands in action slide, I moved to the Blue stage and was really impressed by Joel's unlimited energy throughout their 50 minute set. Midway through their set, Joel climbed the rafters to take his spot at the top to play a guitar solo. At about 6-7 storeys above ground, he plays his solo to the cheers of
his fans.

After ending his feat of bravery for rock n' roll, Joel climbs down and proceeds to open cans of beer...by smashing them on his head. Fizz and sweat, these cans were thrown to the outreached hands of Airbourne's fans. As exciting as their set was, the crowd was not as huge as when the next act took the Orange stage. Respect to Joel for putting up a hell of a show for the lucky fans and bystanders that actually gave Airbourne a chance to fire up BDO 2011.
Lupe Fiasco 2.10-3.00pm (Orange Stage)
With a kickass band to back him up, Lupe had control of the huge crowd of jumping, kissing, making out, grinding, bopping, pushing pre-adolescent fans who went crazy for each song he churns out, especially when he took out his shirt. Apologies to all Lupe fans for my complete ignorance to the music that he makes, but all I could think of was to get to the front of the Orange stage by the end of his set, to be in front when Deftones takes the stage at 3.50pm in the fucking scorching afternoon.

Bliss n Eso (3.00-3.50pm (Blue Stage)

Apologies to all Bliss n Eso fans too, I couldn't care less to pay attention to their music other than to listen to the sick DJ scratch breakdown that they had in the middle of their set. The rest was just filled with "DEEEEEFFFTOOOOOONEEES, DEEEEEFFFFFTOOOOOONES" chanting coming from the Orange Stage.

Deftones 3.50-4.40pm (Orange Stage)

The first out of three most anticipated bands of the day for Puresinner. Deftones came on stage with new bassist Sergio Vega, whom does a good job filling in for Chi Cheng. He even heard a fan shouting at him "Where's Chi?". From his lips movement (too loud, couldn't hear his voice), he mentioned "He's getting better." Breaking out with hits from older albums and a few from the latest album, Diamond Eyes, fans were mesmerised by the on-pitch Chino vocals and intense guitar parts that Stef can never fail to deliver.

Chino making fans go wild
After a number of songs in, Chino came down from the stage and sang with the crowd. Girls went crazy as they wanted to get their hands on Chino, while the guys rushed forward to get a chance to sing on the mic. Great showmanship never fails to make a simple, no-prop rock show interesting.

Donning shades and armed with his guitar for slower tunes, Chino was really at his best performing level. I have no negative issues to point out from the Deftones set. Crowd was good, sound was amazing, nothing disappointed. Now comes the long (or so we thought) wait for the main bands of the day, Rammstein and Tool.


"The Passenger" featuring Kim from Dead Letter Circus

Birds of Tokyo 4.40-5.30pm (Blue Stage)

Sorry for the fans of Birds of Tokyo, I stayed at the Orange stage for this one. So I didn't get a chance to hear what kind of music or were they good.


John Butler Trio 5.30-6.30pm (Orange Stage)


Never listened to them before, but being at the front for their set makes me realise that this trio is an amazingly talented group. John Butler kicking out jams on acoustic guitars (note: acoustic guitars) that would make electric guitar musicians just cower and cry (caught Rammstein's Richard Z admiring John Butler's solo playing at one point), while Byron Luiters handles the lower end of things with his double bass and electric bass guitars and Nicky Bomba belting out delectable drumbeats.
Richard Z. Kruspe of Rammstein watching JBT

Hailing from Fremantle initially, the support was pretty big and I have to admit that John and the band deserves every bit of it. Not really huge on stage presence as most of the members are doubling up as backing vocals while John handles the main bulk of singing. Their live set never failed to entertain through the basis of any music performance, which is the music. Huge respect to the John Butler Trio, I will be looking forward to discovering more of their music.

Iggy Pop and The Stooges 6.30-7.30pm (Blue Stage)

Amazing how this 63 year old man could still prance around and spit at cameras whenever he wants. He's 63! Most 63 year olds usually tone down their performances when they grow older, but not for this godfather of punk. He went all out, though the Rammstein crowd from where I was waiting were getting really impatient to get him off the stage and catching their German Sextet earlier. Respect for Iggy Pop, legendary in both the punk scene and the physical fitness scene (if there is one).


Rammstein 7.30-8.30pm (Orange Stage)


Here they are, German and proud as they flew Germany's flag while Till sung the opening lines for "Rammleid". Epic and huge, Rammstein blasted hits from old albums as well as from the latest album. Guitar riffs smashed faces in, fireworks nearly made our ears bleed, fire that scorched those that were standing right in front of the stage and stage theatrics that never fails to entertain the fans.

Big negative point would be the incessant push from the back trying to get to the barricade. Those guys need to relax, cause the view from the barricade is as good as when you're about 2 spaces back. Really bad group of fans, rowdy and unreasonable. I know it's Rammstein, I know it's heavy and hard-hitting music, but that doesn't mean you should kick the person whose already gotten the front row. Just stand where you are, you aren't that far from the barricade if you've actually used your brains.
Till The Chef cooking Flake
Ok, enough ranting. Rammstein was brilliant! Tight on stage, sounds just like their album, maybe better due to the extended parts and Till actually getting better at singing and burning fans (yes, he did!). Sonne, Benzin, Ich Will, Waidmann's Heil, Rammleid, Du Riecht So Gut, Feuer Frei!, Mein Teil, Weiner Blut, Links 2-3-4, Keine Lust and Pussy were played. All hits, for 60 minutes. Intense and bone crushing. Rammstein is a band that you MUST experience at least once in your lifetime (that's if you're into heavy music).
Feuer Frei!
At the end of their last song, Pussy, with Till saddling a huge cannon spewing white foam, Till invited the whole band to stand at the front of the stage and he thanked the fans.
 Le Chant de Sirenes (15 minutes of the sirens sounding between Rammstein and Tool)

During this time, I was making my way to the Blue stage to catch the band that was the main reason I flew to Perth.


Tool 8.45-10.00pm (Blue Stage)

Before writing anything else, this is the setlist:
1. Leary Speech/Jambi
2. The Pot
3. Vicarious
4. 46&2
5. Eon Blue Apocalypse/The Patient (YEAH!)
6. Flood
7. Schism (ext)
8. Lateralus (ext.)
9. Ænema
10. Stinkfist
Entering the stage with a huge martini glass, Adam Jones, Danny Carey, Justin Chancellor and Maynard J. Keenan took their more than familiar spots on stage and the show was on. Before they came on stage, the Timothy Leary speech made me anticipate Third Eye as an opener (and that would be amazing), but alas, Jambi was played instead.

It was an awesome visual and aural experience from start to end as Adam Jones fed off the basslines from Justin and Danny Carey spoiling everyone's headbanging moments each time with his off-kilter drumbeats. One problem though, I could not hear Maynard most of the time from where I was standing (and it wasn't even that far from the stage). That would be the only problem and disappointment for the whole live set.

The whole time, I was just standing there in awe as I absorbed every single laser, flash of light and musical note that Tool delivered. It was then that I realised that Tool is definitely an experience to watch live and thus, that gives weight to their reasons for not making a live DVD after so long. I just stood there rooted, it was beautiful.

Extended Schism was amazing, but the true mind blowing moment was Lateralus. Extended with a new riff from Adam Jones that has never been played before for other extended Lateralus in the past, I just hope that is part of a new song they're developing. Danny Carey was spot on for each and every track, it's amazing to watch him drum with extreme precision though Maynard only awarded him a 62 for his drumming on the extended part of Lateralus.

At the end of the whole set, Maynard mentioned "..because this is the last big day out, I am going to do something out of character, and smoke a cigar." and he lit up a cigar and smoked it. Very out of character as Maynard has been known to be against smoking. Oh well, it WAS the last day of the BDO tour for them.

P.S Sorry, we didn't get alot of photos for Tool as my camera's battery depleted.

End of BDO 2011

Experiencing several bands that I've always wanted to catch live was amazing, though my body was beat and I was really tired from the lack of sleep from the night prior to BDO, I could never forget catching Rammstein and Tool on the same day.

Hope you've enjoyed my recollection of Puresinner's trip to Perth to be a part of BDO 2011. More photos are available for viewing on our flikr website. Next up would be Deftones Live In Singapore!

*We are a non-profitable organization who funds our own equipments including cameras used for events, thus low resolution photography might be encountered from time to time.

Peaches DJs at Home Club

Since Peaches' performance at Zirca last year, everyone wanted more from her. Now, she's back, a year later, at Home Club performing a DJ set. Guess she wanted more from Singapore too.

Friday night's Beat! features Joe Ng and Ginette Chittick on deck along with Peaches as the guest DJ of the night. Appearing on stage in nude leotard and a very "booby" shoulder pad outfit. Crowd went crazy and the show is on. A full house at Home Club, temperature rose and everything became hot and wild.

Goodbye 2010

Last year, we have made this blog public to everyone and anyone with an interest in local and/or alternative music. We thank those who visit us often to read, watch and mock our amateurish posts. Without you, we will not continue.

We now record live shows on a High Definition camera. I have a few videos uploaded from the December shows at Home Club. Feel free to check them out:

Electromashick - December 17th



IDENTITE: 10 YEARS OF RSC FEAT. I AM DAVID SPARKLE - December 31st



Happy new year friends and foes. Here's to MMXI!

Lunarin Goes Acoustic @ Esplanade Library (13/11/10)

When I first heard of Lunarin's latest gig at Esplanade Library, I knew I had to be there. Having been to their acoustic shows twice (something from STOMP.sg and the other being an acoustic set at the Esplanade Library too), they've always made awesome acoustic versions of their album tracks and they've introduced more unreleased material through acoustic shows than their shows. With the mention of them playing Midas (from Duae, their latest album), I was psyched to make it to the show even when I wasn't feeling all too great that particular afternoon.

Reaching a little around 2.45pm, I managed to catch the finishing bits of Kevin Matthews' set and as much as I'm not a fan of the usual vocals+acoustic guitar+songwriting+vocalist thing, I have to admit that Kevin has one hell of an amazing singing voice. That dude could lull me to sleep with his smooth falsetto parts and perfectly pitched singing. I have to apologise for my lack of knowledge on his music as my main priority of being there has, from the start, being Lunarin's acoustic performance (Sorry Kevin, Debra and Vanessa).

Entering the rather small performance area a little after 3pm, Lunarin had two other members in the lineup, Victor Ong on Cello and Natalie Soh on Violin. These two additional instrumentalists proved vital in creating that almost haunting ambience to Lunarin's acoustic set.

from left: Victor Ong (cello), Linda Ong (bass/guitar), Ho Kah Wye (guitar), Loo Eng Teck (drums, keys, backing vocals), Natalie Soh (violin). Photo credit to Vanessa Faith Tan.

Setlist:
  1. Ghost
  2. 22
  3. Right of Sleep
  4. Wednesday
  5. Midas
  6. Coralline
Videos of each performance can be viewed under the Media Archive section.


Personal favourites of the afternoon were 22, Wednesday and Coralline.

Right of Sleep being one of two low points of the whole acoustic set (the other being the duration of the set) and eventhough I really enjoyed the track's chorus being catchy and all, that's when I realised why this track never stuck on to me. Lunarin has never played something as fundamentally pop as this. Then I started to squirm and writhe with distaste to the thought of this song being cultivated in the dark mountain caves where Lunarin records their dark masterpieces of melancholy and despair.

I kid with that comment, but in a nutshell, Right of Sleep can be reviewed as "Too pop, doesn't work for me, might work for others."

Other than that, I found the other 5 songs to be real solid acoustic pieces and I sure hope that there'll be an acoustic EP in the near future. Watch the videos and you'd agree with me.

Mirror of Retribution Tour: ChthoniC, Live in Singapore Review

August 14, Republic Polytechnic - I was to go to a school, on a Saturday evening. Not my school though. I was on my way to see a Taiwanese Black Metal band, ChthoniC. The show was held at the polytechnic's Cultural Centre Studio.

I was there an hour earlier before showtime. Entry was delayed until about 7:45pm. I was disappointed to see no tour t-shirts were sold. Only the usual t-shirts which are all SGD$30. MourningSound Records has provided pre-orders online before the day of show.

A Singaporean Gothic metal band, Meltgsnow was the opening band. ChthoniC came on stage soon after and the crowd participated in a mass of headbanging cult. Fans were insane enough to throw Taoist hell bank notes on stage (can be seen in the video below), which I think was suppose to be based on the current album's concept of Taoist folklore.
The band performed "Rise of the Shadow" as the first track off the Mirror of Retribution album. Other songs off their latest release includes "1947" and "Sing-Ling Temple". Most of what I can hear, Freddy sung in their native language despite also having an alternate version in English. Even their setlist was written in Chinese.


The band was nice enough to have a meet & greet session after the show. I was one of the lucky few and the last to be taken pictures with the band until the lights go out. The remaining queue had no choice but to be in the dark. Nonetheless, the show was something I don't want to miss, even as a casual fan.

That Friday The 13th Show @ Home Club (13/08/10)

When I received the facebook invite for this show, I almost burst with excitement upon seeing the list of bands that were included. Zero Sequence, In Each Hand A Cutlass and Lunarin. 3 giants of the alternative rock scene in Singapore, 1 location at the price of $15 and with the inclusion of a pre-release of Duae for whoever that attends the gig, I just had to go even if I was pretty tired that night.

Note: I wasn't able to capture photos that would be decent enough for posting up during this gig and only partial videos were recorded due to depletion of my cam's battery. Apologies.




Arriving late to the show, I just managed to catch the last song being played by part of Zero Sequence. Apparently, there was no Zero Sequence set that night, but instead was pleasantly surprised by what seems to be Simon Yong's (guitarist, Zero Sequence) solo project. With 3 other members from Zero Sequence backing him for this new project on stage, Simon skillfully showcased his guitar prowess. It's a shame that I had only managed to catch the final song of their set, because I was really enjoying that last piece and I bet that it was quite a good set to begin with, though this depends entirely to the individual.


Crowd started to build up when In Each Hand A Cutlass began setting up their equipment on stage. I have only caught In Each Hand A Cutlass twice (one being the Waterfront gig) and both times I was pretty impressed with their brand of Post-Rock. Making her live debut with IEHAC, Amanda Ling was included in the line up as the new keyboardist/programmer. Another thing I've noticed is the missing guitarist, Farid.  As I'm not really that well-informed on the tracks that were played by IEHAC, I could just notice the difference from what have been played by them in the past as compared to present through the energy and amount of ambience.

Honestly, I preferred the last two shows I've seen them performed as compared to this set. Not trying to be a Post-Rock purist or whatever but, IEHAC used to incorporate much more ambience and lesser "raw rock" energy than they had now. Wonder if it has anything with the inclusion of Amanda, but overall, the set boasted loads of riffage and good guitar co-ordination between Roland Lim and leader of the pack, Dan Sassoon that impressed me and made me envious of their prowess.

Next up, the main performer of the night.

 Lunarin, supporting their sophomore release Duae, made sure that their setlist consists mostly of tracks from the new album. It is definitely not the first time that I've been to a 2010 Lunarin gig, so the tracks have pretty much been polished out for live performance this time as compared to the previous time (most notably, the Substation gig). Crowd was good, though I would have preferred if the screaming was toned down abit. Yes, support is support, buuuuuut...incessant screaming to draw attention to self and away from the band is a little questionable. Don't you agree?


So back to the performance, Lunarin was tight. Impressive performance by all members and especially Eng Teck (drummer). Multitasking as a backing vocalist and playing drums and inclusion of Mandala Pads and double pedals this time around, he has definitely outdone himself for Duae. All the videos for this performance have been uploaded on The Oracle's Youtube Channel. Check it out here.

This was definitely an awesome gig to be at and I would have regretted missing it. A full review of Lunarin's Duae will be made available here at puresinner closer to the official release date of the album (20th August 2010). Looking forward to catching them again at Baybeats 2010.

Do pardon the excessive Lunarin news on puresinner recently, we will return back to various music news again soon. Thanks for reading.

Night Festival: Lunarin at Substation

July 17, Substation - The Night Festival, happens two nights-yearly to celebrate Singapore’s arts and heritage district located at the Singapore Art Museum, Singapore Management University, Peranakan Museum and Substation. I took the second night and head to Substation. My mission was to worship the Unholy Trinity, Lunarin.
It has been two years since their last performance at the Waterfront, Esplanade. Now, ready to release their second full length album, Duae, the band gears up for a series of gigs waiting to unleash in the coming months.
Substation has changed their balcony venue to a not so appropriate place for audiences. The band was to play at the theater room without the audience inside. Instead we were made to watch from the alley way looking through a hole in the wall at the side of Substation. The band began playing after midnight. A slight delay from soundcheck and the previous band. All the wait was worthwhile when I could see bassist, Linda Ong and guitarist, Ho Kah Wye. Linda joked about no drummer playing tonight. Just a very cheap and good drum machine. "Bitch" was the response the drum machine made.
First song, "The Inquisition" wasn't a familiar song to me. It should be their first time playing it live. The song stretches to a nine-minutes long and the screechy chorus is something new compared to Linda's feminine vocal style from the previous releases.
The set went on with some old favorites such as "Dry", "Silverpiece" and "The Tower". Also new tracks such as "Midas", Serpentine" and my personal favourite, "Red". Halfway through "Midas", a venue crew told us to get into the theater room because of the rain. Finally up close with the band and revealing the man behind the drums. Loo Eng Teck, the well-toned drummer plays with such admiration. It would be a waste if we were stuck outside the whole set without seeing how he played.
Ho Kah Wye, Loo Eng Teck & Linda Ong
At about half passed one in the morning, the band ended. Merchandise of old and new tee shirts were sold and also their debut album, "Chrysalis". Fans were then able to greet them outside the venue.
The band has improved so much after so many times I have seen them. I have been following them almost every gig they performed since their debut album and it has never been a disappointment let it be acoustic or live. Lunarin is a very well crafted Singaporean band you must experience it yourself. They will be playing their next show at Homeclub on the 13th of August alongside, Zero Sequence and In Each Hand A Cutlass. For more information please visit: myspace.com/lunarin.
puresinner is pleased to be able to record the whole set and hopes to continue the same untill the end of days.
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